Yamaha Sound Editor ver. 2.10 Especificaciones

This material is based on work supported by the National Science Foundation under CCLI Grant DUE 0717743, Jennifer Burg PI, Jason Romney, Co-PI. 1 C

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 10 400 and 800 devices on the same bus is not a g

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 11 1.5.2.3 Drivers A driver is a program that a

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 12 Figure 1.5 M-Audio Oxygen8 25-key MIDI keyboa

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 13 have one or two built-in microphones with the

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 14 Figure 1.9 A dedicated 48-channel multitrack

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 15 sometimes be provided by a battery. The conduc

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 16 about the physical relationship between the mi

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 17 Figure 1.10 Shure SM58 dynamic microphone Fi

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 18 Figure 1.12 Polar plot for an omnidirectional

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 19 Figure 1.14 Polar plot for a cardioid microph

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 2 1 Chapter 1 Getting Ready 1.1 Sounds Like Fun!

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 20 A special category of microphone called a shot

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 21 Figure 1.18 Polar plot of a dynamic cardioid

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 22 Some microphones may have a very flat frequ

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 23 achieving. In a recording situation, you can o

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 24 1.5.2.8 Monitor Loudspeakers Just like you us

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 25 1.5.2.9 Studio Headphones Good-quality refere

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 26 The XLR connector shown in Figure 1.26 is wide

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 27               

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 28 The ¼" phone plug and its corresponding j

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 29 The  " or 3.5 mm phone plug shown in F

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 3 production required a wall full of equipment in

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 30 RCA cable connector RCA panel mount connecto

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 31 be found on antenna cables in wireless microph

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 32 connections from a power amplifier to more tha

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 33 size and shape but are keyed slightly differen

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 34 Speakon NL2 cable connector Speakon NL2 pane

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 35 connector. CAT5e cable is used for computer ne

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 36 Male Toslink connector Female Toslink connec

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 37 can also create powercon patch cables that all

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 38 workstation experiences a glitch, it's us

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 39 after analog mixers to make it easier for soun

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 4 1.4 Basic Terminology 1.4.1 Analog vs. Digital

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 40 Figure 1.45 Touch device control surface app

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 41 Figure 1.46 Meyer UPA-1P loudspeaker 1.5.2.1

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 42 1.5.3 Software for Digital Audio and MIDI Pro

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 43 Figure 1.48 A sample editor window zoomed dow

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 44 of software change all the time, so you should

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 45 Figure 1.49 Logic Pro workspace 1.5.3.3 Cake

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 46 Figure 1.50 Cakewalk Sonar workspace, multitr

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 47 Figure 1.51 Audacity audio editing software 1

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 48 Figure 1.52 Reason software instrument rack 1

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 49 editor. For example, you might want to change

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 5 in Hertz (samples/second). The sound being det

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 50 Figure 1.54 Ardour, free digital audio proces

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 51 1.5.4 Software for Live Performances There ar

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 52 Figure 1.57 SFX playback software from Stage

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 53 in the PDF file and go directly to the learnin

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 54 object communications. This functionality is e

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 55 If you can‟t afford Max, you might consider a

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 56 Figure 1.64 MATLAB mathematical modeling env

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 57 This book is intended to be useful not only to

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 6 Figure 1.1 Basic setup and signal flow of a d

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 7 Thirdly, to use this book most effectively you‟

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 8 Computer Desktop or laptop with a fast processo

Digital Sound & Music: Concepts, Applications, & Science, Chapter 1, last updated 7/29/2013 9 computer. All of these instrument samples have