Yamaha DX7 Manual de instrucciones

Basic FM Synthesison theYamaha DX7by Mark Phillips

7. FM Demo 1-F(E.G. Control of Timbre)General Description:This voice is also closely related to FM Demo 1-D. The main difference is in the envelope

8. FM Demo 1-G(slower carrier E.G. with faster modulator E.G. affects timbre changes, too)General Description:This voice, too, is closely related to

9. FM Demo 2-A(E.G. Control of Timbre)General Description:While this voice may initially appear to be a duplicate of FM Demo 1-A, when later characte

10. FM Demo 2-B(E.G. Control of Timbre)General Description:This voice is derived from FM Demo 2-A. It has a similar inverted envelope for Op. 2, but

11. Pitch EG Demo 1General Description:This voice is designed to demonstrate obvious (and dramatic) use of the Pitch EG. The DX-7 has only oneenvelo

12: Pitch EG Demo 2General Description:This is another voice with dramatic use of the pitch envelope. A sine wave moves from a very high pitch tonorm

13: TM Demo(LFO Control of Timbre)General Description:This voice is designed to imitate the subtractive synthesis sound achieved by filter modulation

14: TM Demo-MW(Mod Wheel determines depth of LFO control of timbre)General Description:This voice is also designed to imitate the subtractive synthesi

15: TM-OrganGeneral Description:This voice is designed to show how the basic concept of timbre modulation can be used as part of a morecomplex, musica

16: "Wah" OrganGeneral Description:This voice is very similar to the previous TM-Organ. The only difference is that the aspect of timbre co

IntroductionThis booklet was written to help students to learn the basics of linear FM synthesis and to betterunderstand the Yamaha DX/TX series synth

17: LF Carri 1General Description:This voice introduces the concept of using an operator as a sine wave LFO by assigning it a very low fixedfrequency

Basic FM Synthesis -21-

19: LF Carri 3General Description:This voice is designed to expand still further on the basic concept of low- frequency carriers. In this voiceanoth

20: Addsynth 1General Description:This voice is constructed using additive synthesis. With only six sine waves to sum, the DX7 is not apowerful tool

21: Addsynth 2General Description:This voice is similar to the previous Addsynth 1. In fact, the steady-state sound of a note that has beenheld down

22: Addsynth 3General Description:This voice is similar to the previous Addsynth 2, but this time the entrances of the various harmonics havea stron

23: Addsynth 4General Description:This voice is derived from Addsynth 1 and shares an identical steady-state sound with it. The onlydifference is th

24: Addsynth 5General Description:This voice, too, is derived from Addsynth 1 and shares an identical steady-state sound with it. It alsoshares with

Expressive Pitch Bend with Timbre VariationOn many acoustic instruments, expressive pitch bending also results in changes timbre (or tone color).Often

Now you can use your index and middle fingers together to control pitch bend and timbre simultaneously bymoving the two wheels together. Using pitch

1: FM Demo 1-A(E.G. Control of Timbre)General Description:This voice is designed to imitate the familiar analog synthesis sound of slowly opening and

Addendum/Update for Basic FM Synthesis bookletThough the demos in this booklet were written for the original DX7, the concepts behind these demosounds

2: MW-Demo 1(Mod Wheel Control of Timbre)General description:This voice is also designed to imitate the familiar analog synthesis sound of opening an

Additional Help for MW-Demo 1:For original DX7:If you are using the Macintosh librarian program, you can select the option "Send Perf. to DX7&quo

3. FM Demo 1-B(E.G. Control of Timbre using Velocity)General Description:This voice, too, is designed to imitate the sound of opening and closing a l

4. FM Demo 1-C(E.G. Control of Timbre, with Rate Scaling)General Description:This is another voice designed to imitate the sound of opening and closi

5. FM Demo 1-D(E.G. Control of Timbre)General Description:This voice is also closely related to FM Demo 1-A. The main difference is in the envelope

6. FM Demo 1-EVelocity Control of Carrier (i.e. Amplitude)General Description:This voice is closely related to FM Demo 1-D. The only difference is t