Yamaha MSS1 Manual de usuario

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TM
THE OFFICIAL PUBLICATION
OF
THE YAMAHA USERS
GROUP
AUGUST
1987
G
YAMAHA®
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Indice de contenidos

Pagina 1 - YAMAHA®

--- -------- ------- -- ---- ----------~TM THE OFFICIAL PUBLICATION OF THE YAMAHA USERS GROUP AUGUST 1987 GYAMAHA®

Pagina 2 - Volume 3, Number 8

QX3 An lntroduc .. tion To Yamaha's Newest Digital Sequence Recorder. By Tom Darter. THE NEW QX3 digital sequence recorder is a 16-track MIDI seq

Pagina 3 - AITERTOUCH 3

30) QX1 Data Out 31) Rel Tempo Record 32) Time Display Edit Mode In the Edit mode, the QX3 offers an exten-sive set of 29 Job Commands, as follows: 1

Pagina 4 - ·><

MEP4 Using The MEP4 In Live Applications. By Scott Plunkett. WITH ITS ABILITY to solve MIDI sys-tem problems and create MIDI effects, the MEP4 MID

Pagina 5 - I!EUNEo

let the MEP4 change the controller channel assignments. The MIDI channel assignments were set as follows: Controller KX88 DX711 Tone Generator

Pagina 6 - I POLY I

MEP4 StringsUp. A NewMEP4 Setup By Scott Plunkett. Notes: This is an MEP4 program that I use to solve a problem that is very similar to the one descri

Pagina 7 - VB.OCITY

Setup Notes, Continued. Processor 2 sends a program change (9) and volume com-mand (07, 55) to the last four modules of the TXB I 6. This is the sound

Pagina 8 - Estabrooks

/ Hot Tips An SPX90 Patch For Recording Guitars And Basses Direct By John R. Barnes I have a very simple SPX90 patch that works very well for guitars

Pagina 9 - New MIDI

the parts, or we will lose some of the voices on the highest tracks. If, for example, we simply assign a MIDI channel to Part 2 and delete Part 6

Pagina 10 - AITERTOUCH!Vol. 3

Questions Answers To Questions From Readers. By Tom Darter. I own a TX81Z, which I use primarily with my QXl. Is there any way of accessing the Perfor

Pagina 11 - 3 No. 8/ AFTERTOUCH

My basic setup consists of a DX7 and a Korg DW-8000. When I MIDI the two together, the DX7 is the master keyboard, and both units are set to MIDI chan

Pagina 12 - Plunkett

Editor Tom Darter Operations Sibyl Darter Editorial Board Bob Frye Bill Hinely Mark Koenig Jim Smerdel Cover Photograph Jim Hagopian AFfERTOUCH is pub

Pagina 13 - AITERTOUCH 13

AFTERTOUCH P.O. Box 7938 Northridge, CA 91327~ 7938 Hot Tips Continued from page 17 This would require 4096 Performance memories to set the pairs of

Pagina 14 - ~><><

From The Editor MANY OF YOU may have recognized the cover art from last month's "Return of the Reader" issue as being part of an Aft

Pagina 15 - AITERTOUCH 15

0\ B :;;!~ ~~ ~§ ~ "' g g !!! 99 0 Ro\NGE TRI WAVE POLY POLY MJNO c:: . ·2] <0\~ ... ~ ·>< >-z ~ o0~e ~~ ~ ~~ Q) ... -::::=

Pagina 16 - And More

~ <.,.; z :::> (y:) ): ~ ::j ~ ::t Ul ;;!iS ~~ s§ ~ "' g &l :; 99 0 RANGE SINE WAVE POLY POLY MONO OFF OFF PITCH 36 SPEED 7 PITCH

Pagina 17 - + 10, this addition

DXlOO Harmallets. A NewDXlOO Voice By Dave Anderson. Notes: This is a good African mallet patch with a twist. Regular playing touch wilt produce the M

Pagina 18 - Questions

LFO & FUNCTIONS I TRI I 35 I 0 I 0 I 0 I OFF WAVE SPEED DELAY PM) NKJ SYNC I 5 I 0 I I C3 I PMS N/6 KEY TRANSPOSE I POLY I 2 OFF 0 I I " PQ.

Pagina 19 - 91327-7938

DXlOO COSMOS. A NewDXlOO Voice By Daniel P. Estabrooks. Notes: You should be able to "feel" this one! Amplitude of lOOdb @ 3 feet with a ra

Pagina 20 - A, while

THE YAMAHA MSS 1 is a SMPTE-compatible MIDI synchronizer designed for use in home recording as well as motion pic-ture, television, and professiona

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