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Step 4 = Trying out the Sound Settings

Before you start to play in the first few tracks, you should feel comfortable with making Setup data changes.

Try to find out what kind of sound changes you can achieve by changing the default settings. Changes to the

sequencer track’s MIDI channel will determine which CS2x Part you control. Selecting MIDI-Ch. 1 allows you

to play the Performance. Nothing happens with channels 2 - 4 as they are blocked by the 4 Performance Lay-

ers. Channels 5 - 16 control Parts 5 - 16.

Select MIDI-Ch. 5 and make changes to Part 5’s Setup data. Start by switching to different sounds with Bank

and Program changes. After you have tried some of those sounds, make some changes to them with the

controllers.

You should now have a pretty good idea how CS2x Song Setups are programmed.

Step 5 = Recording Tracks

We have now fulfilled all the technical requirements for recording sequencer tracks.

If you are going to use the Arpeggiator, you will need to activate the sequencer’s MIDI clock (Sync = intern,

MIDI Clock / MIDI Control = ON). You will also need to set the CS2x Arpeggiator Tempo to MIDI.

You are free to use the knobs to record real-time sound changes on all MIDI channels, either during the first

pass or later on a separate track. The sequencer processes the knob movements as Controller messages.

Step 6 = Setting up the Effects

Setting up the Effects is pretty straightforward. All Layers and Parts use the Chorus and Reverb effect types

as set in the Performance. An individual Send Level is available for the Performance Layers and the Multi

Parts. For the Layers, this is set at the keyboard, whilst Controllers #91 and #93 are used to set it for the

Multi Parts (see table “Song Setup Part Settings”). In contrast, the Variation Effect can only be applied to the

Performance Part, but you can extensively program it and enable/disable each for each Layer.

Step 7 = Saving your Data

With the exception of the Performances that are stored at the machine, all song settings are part of the song

itself and are therefore saved (along will all other song data) to the sequencer. The Performance used can

be sent to the sequencer via Bulk Dump 1 Perf

and either archived to disk individually or integrated with the

Setup data.

Song Production with XGworks

You can find a number of notes regarding the use of your CS2x with the sequencer program XGworks in

your manual (pages 34 - 37).

What we have covered so far about song production applies to XGworks, too, although there’s no need here

to load an extensive Song Setup, as you make almost all necessary changes from the integrated Mixer or

XG Editor.

More specialised Part parameters such as EQ and HPF can also be set up with the XG Editor (Voice - Detail

- Part Properties).

In Performance Mode the Editor is logically restricted to Parts 5 -16.

You can’t initiate Bank/Program or “Material Voice” changes from the Mixer or Editor as those sounds are not

part of the XG System.

If you don’t want to limit yourself to the XG Voices, you can load the file “BankIni.MID” or “BankTech.MID”

from the “Setups / SMF1” directory found on the TOOL Disk. Apart from the Performance Mode initialisations

these files only contain the Bank/Program changes for the Performance and Multi Parts 5 - 16. This way,

Bank/Program changes are triggered from each Part’s Event list.

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