Yamaha CVP-701 Manual descargar pdf (Pagina 35)

CVP-701 Reference Manual 35

Styles – Playing Rhythm and Accompaniment –

2 NTR/NTT

NTR (Note Transposition Rule)

NTT (Note Transposition Table)

When NTR is set to ROOT TRANS or ROOT FIXED

[3]/

[4]

NTR (Note

Transposition

Rule)

Determines the relative position of the root note in the chord, when con-

verted from the Source Pattern in response to chord changes. Refer to

the list below.

[5] –

[7]

NTT (Note

Transposition

Table)

Sets the note transposition table for the source pattern. Refer to the list

below.

[8]NTT BASS ON/

OFF

The channel for which this is set to ON will be played back by the bass

root note, when the on-bass chord is recognized by the instrument.

When NTR is set to GUITAR and this parameter is set to ON, only notes

assigned to bass will be played back by the bass root note.

ROOT TRANS

(Root Transpose)

When the root note is transposed, the interval

between notes is maintained. For example, the

notes C3, E3 and G3 in the key of C become F3,

A3 and C4 when they are transposed to F. Use

this setting for channels that contain melody

lines.

ROOT FIXED The note is kept as close as possible to the previ-

ous note range. For example, the notes C3, E3

and G3 in the key of C become C3, F3 and A3

when they are transposed to F. Use this setting

for channels that contain chord parts.

GUITAR This is exclusively for transposing guitar accompaniment. Notes are trans-

posed to approximate the chords played with natural guitar fingering.

BYPASS When NTR is set to ROOT FIXED, the transposition table used does not do

any note conversion. When NTR is set to ROOT TRANS, the table used

only converts the notes by maintaining the pitch relationship between notes.

MELODY Suitable for melody line transposition. Use this for melody channels such as

Phrase 1 and Phrase 2.

CHORD Suitable for chordal parts transposition. Use this for the Chord 1 and Chord

2 channels, especially when they contain piano or guitar-like chordal parts.

MELODIC MINOR

When the played chord changes from a major to a minor chord, this table

lowers the third interval in the scale by a semitone. When the chord changes

from a minor to a major chord, the minor third interval is raised by a semi-

tone. Other notes are not changed. Use this for melody channels of Sections

which respond only to major/minor chords, such as Intros and Endings.

MELODIC MINOR 5th In addition to the Melodic Minor transposition above, augmented and

diminished chords affect the 5th intervals of the Source Pattern.

When playing

a C major

chord.

When playing

an F major

chord.

When playing

a C major

chord.

When playing

an F major

chord.

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Yamaha CVP-701 Manual Pagina 35

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