Yamaha MIXING CONSOLE Manual de usuario descargar pdf (Pagina 5)

MIXING CONSOLE

Serious Capacity For Sound Reinforcement & Installations

If your application is live sound reinforcement you’ll want all the channel capacity you can get – just in case. Vocal

mics, instrument mics, stereo keyboards, direct-injection feeds, drum mics, and the rest can add up very quickly. With

24 and 32 input channels, respectively, the MG24/14FX and MG32/14FX are ready to handle all but the most

ambitious sound-reinforcement setups. And with dual SPX digital effect systems on-board you won’t need racks of

outboard gear to get the sound you need. There’s also a comprehensive range of group and auxiliary busses to make

even complex mixes easy.

24 or 32 Input Channels

Choose either the 24-channel MG24/14FX or

the 32-channel MG32/14MX according to your

needs. All other features are the same. The

MG24/14FX has 16 mono microphone/line

channels while the MG32/14FX has 24. Both

offer four stereo line channels in addition to the

mono mic/line channels.

Low-noise,

High-precision Mic Preamps

With Phantom Power

All 16 mic preamps

in the MG24/14FX

and all 24 mic

preamps in the

MG32/14FX are of

exemplary quality.

They offer low-noise,

transparent

amplification with the widest possible range of

dynamic and condenser microphones, which

adds up to cleaner, better-sounding mixes.

All mic preamps feature switchable phantom

power for phantom-powered studio condenser

microphones. Phantom power is switchable in

8-channel groups.

Illuminated Switches

Illuminated ON (channel), PFL (Pre-Fader

Listen), and phantom-power switches let you

confirm critical console settings at a glance.

14 Buses In All For

Flexible Signal Routing

In addition to lots of

input channels, live

sound reinforcement

applications usually

demand a number of

additional mixes –

usually in the form of

group sub-mixes and

aux sends for external signal processing and

monitor mixes. In both the MG24/14FX and

MG32/14FX you have a total of 14 mix buses:

the main stereo program bus, four stereo group

bus pairs for convenient channel grouping, six

auxiliary busses (four configurable for pre- or

post-fader operation and two set up as effect

sends), and two internal effect busses that feed

the dual high-performance built-in effect

processors.

Insert I/O

All mono input channels feature insert I/O

patch points so you can insert compressors, EQ,

or other extra signal-processing gear into the

channel signal path as required.

3-band Mid-sweep Channel EQ

and HPF

The 3-band equalizers with a sweepable mid-

band provided on all input channels are

designed for exceptionally smooth, intuitive

response that can help you to create cleaner,

tighter mixes.

All mono microphone input channels also

feature a switchable high-pass filter that can be

used to cut out unwanted low-frequency noise.

Dual SPX Digital Effects

In the MG24/14FX

and MG32/14FX

you have not one, but

two high-performance

digital signal

processing

stages,

fed by separate

effect

buses, so you can

enhance your

mix

with two separate

effects at the same

time. And the effects are provided by the very

latest Yamaha DSP technology - you know

you're getting the best.

Each stage provides a selection of 16 professional

– quality SPX digital effects, including reverb,

delay, pitch change, chorus, phasing, vocal

doubling, distortion, and more.

Parameter controls that can be adjusted to tailor

the effects to your sonic requirement are also

provided and Tap delay makes it easy to produce

tempo-synchronized delays.

Talkback Input

Communication capability is important for

efficient setup as well as for keeping a show

running smoothly. The MG24/14FX and

MG32/14FX both feature a talkback system that

allows the FOH engineer to communicate with

the monitor engineer, performers, or other staff

to keep the team operating at optimum

efficiency.

Balanced XLR Stereo

and Mono Outputs

Professional connectivity is provided by reliable

XLR-type balanced stereo and mono outputs.

Sweepable LPF for Mono Out

One of the many uses for a mono output is to

drive a subwoofer system. The MG24/14FX and

MG32/14FX make this easier than ever with a

built-in sweepable low-pass filter on the mono

outputs.

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Yamaha MIXING CONSOLE Manual de usuario Pagina 5

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