Yamaha MIXING CONSOLE Manual de usuario Pagina 6
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MIC
Cassette or MD
Synthesizer etc.
PLG 2
A
B
C
D
E
F
G
H
15
CATEGORY
SEARCH
OCTAVE
DOWN
UP
KNOB
CONTROL
FUNCTION
PAN
REVERB
CHORUS
TEMPO
ATTACK RELEASECUTOFF
RESONANCE
ASSIGN A ASSIGN B ASSIGN 1 ASSIGN 2
KN 1 KN 2 KN 3 KN 4
MEQ LOW
MEQ HI MIDMEQLOWMID MEQ HIGH
REMOTE
CONTROL
ON/OFF
EFFECT BYPASS
ARPEGGIO
INSERTION
SYSTEM
ON/OFF
MASTER
VOLUME
VOLUME 1 VOLUME 2 VOLUME 3 VOLUME 4
CS 1 CS 2 CS 3 CS 4
ZONE 1 ZONE 2 ZONE 3 ZONE 4
SEQ
TRANSPORT
LOCATE
1
2
REC
MODE
VOICE PERFORM MASTER
SEQUENCER
SONG
PATTERN
FILE
INTEGRATED
SAMPLING
MIXING
UTILITY
EDIT
JOB
STORE
COMPARE
SCENE STORE
SET LOCATE
SONG SCENE
SF 1SF 2SF 3SF 4SF 5
F1 F2 F3 F4 F6F5
INFORMATION
DEC/NO INC/YES
EXIT
ENTER
EXECUTE
MUSIC
PRODUCTION
SYNTHESIZER
Integrated
Sampling
Sequencer
Real-timeExternalControl
Surface
Modular
SynthesisPlug-in
System
DRUM KITS
FAVORITES
SLOT 1 SLOT 2 SLOT 3
PRE 1
PRE 2
PRE 3
GM
USER PLG 1
PLG 3
A. PIANO
KEYBOARD
ORGAN
GUITAR/
PLUCKED
BASS
STRINGS
BRASS
REED/PIPE
SYN LEAD SYN PAD/
CHOIR
SYN COMP CHROMATIC
PERCUSSION
DRUM/
PERCUSSION
SE
MUSICAL FX COMBI
1
2
3
4
5
6
7
8
9
10
11
12
13
14
16
SECTION
TRACK
SELECT
MUTE
SOLO
BANK
GROUP
NUMBER
COMMON
ELEMENT/PERF.PART/ZONE
MIC
Drums
Guitar etc.
Synthesizer etc.
PLG 2
A
B
C
D
E
F
G
H
15
CATEGORY
SEARCH
OCTAVE
DOWN
UP
KNOB
CONTROL
FUNCTION
PAN
REVERB
CHORUS
TEMPO
ATTACK RELEASECUTOFF
RESONANCE
ASSIGN A ASSIGN B ASSIGN 1 ASSIGN 2
KN 1 KN 2 KN 3 KN 4
MEQ LOW
MEQ HI MIDMEQLOWMID MEQ HIGH
REMOTE
CONTROL
ON/OFF
EFFECT BYPASS
ARPEGGIO
INSERTION
SYSTEM
ON/OFF
MASTER
VOLUME
VOLUME 1 VOLUME 2 VOLUME 3 VOLUME 4
CS 1 CS 2 CS 3 CS 4
ZONE 1 ZONE 2 ZONE 3 ZONE 4
SEQ
TRANSPORT
LOCATE
1
2
REC
MODE
VOICE PERFORM MASTER
SEQUENCER
SONG
PATTERN
FILE
INTEGRATED
SAMPLING
MIXING
UTILITY
EDIT
JOB
STORE
COMPARE
SCENE STORE
SET LOCATE
SONG SCENE
SF 1SF 2SF 3SF 4SF 5
F1 F2 F3 F4 F6F5
INFORMATION
DEC/NO INC/YES
EXIT
ENTER
EXECUTE
MUSIC
PRODUCTION
SYNTHESIZER
IntegratedSampling
Sequencer
Real-timeExternalControl
Surface
Modular
SynthesisPlug-in
System
DRUM KITS
FAVORITES
SLOT 1 SLOT 2 SLOT 3
PRE 1
PRE 2
PRE 3
GM
USER PLG 1
PLG 3
A. PIANO
KEYBOARD
ORGAN
GUITAR/
PLUCKED
BASS
STRINGS
BRASS
REED/PIPE
SYN LEAD SYN PAD/
CHOIR
SYN COMP CHROMATIC
PERCUSSION
DRUM/
PERCUSSION
SE
MUSICAL FX COMBI
1
2
3
4
5
6
7
8
9
10
11
12
13
14
16
SECTION
TRACK
SELECT
MUTE
SOLO
BANK
GROUP
NUMBER
COMMON
ELEMENT/PERF.PART/ZONE
Macintosh or PC
Powered Speakers
PA Monitors
PC Audio Card
or
Audio Interface
Compressor
Compressor Multi Effector
Graphic EQ
Power Amplifier
Powered Speakers
Guitar etc.
MIC
Synthesizer etc.
PLG 2
A
B
C
D
E
F
G
H
15
CATEGORY
SEARCH
OCTAVE
DOWN
UP
KNOB
CONTROL
FUNCTION
PAN
REVERB
CHORUS
TEMPO
ATTACK RELEASECUTOFF
RESONANCE
ASSIGN A ASSIGN B ASSIGN 1 ASSIGN 2
KN 1 KN 2 KN 3 KN 4
MEQ LOW
MEQ HI MIDMEQLOWMID MEQ HIGH
REMOTE
CONTROL
ON/OFF
EFFECT BYPASS
ARPEGGIO
INSERTION
SYSTEM
ON/OFF
MASTER
VOLUME
VOLUME 1 VOLUME 2 VOLUME 3 VOLUME 4
CS 1 CS 2 CS 3 CS 4
ZONE 1 ZONE 2 ZONE 3 ZONE 4
SEQ
TRANSPORT
LOCATE
1
2
REC
MODE
VOICE PERFORM MASTER
SEQUENCER
SONG
PATTERN
FILE
INTEGRATED
SAMPLING
MIXING
UTILITY
EDIT
JOB
STORE
COMPARE
SCENE STORE
SET LOCATE
SONG SCENE
SF 1SF 2SF 3SF 4SF 5
F1 F2 F3 F4 F6F5
INFORMATION
DEC/NO INC/YES
EXIT
ENTER
EXECUTE
MUSIC
PRODUCTION
SYNTHESIZER
IntegratedSampling
Sequencer
Real-timeExternalControl
Surface
Modular
SynthesisPlug-in
System
DRUM KITS
FAVORITES
SLOT 1 SLOT 2 SLOT 3
PRE 1
PRE 2
PRE 3
GM
USER PLG 1
PLG 3
A. PIANO
KEYBOARD
ORGAN
GUITAR/
PLUCKED
BASS
STRINGS
BRASS
REED/PIPE
SYN LEAD SYN PAD/
CHOIR
SYN COMP CHROMATIC
PERCUSSION
DRUM/
PERCUSSION
SE
MUSICAL FX COMBI
1
2
3
4
5
6
7
8
9
10
11
12
13
14
16
SECTION
TRACK
SELECT
MUTE
SOLO
BANK
GROUP
NUMBER
COMMON
ELEMENT/PERF.PART/ZONE
Guitar etc.
Connection
Actual Source For Use With
Output Level
*1
Connector In Mixer
Impedance Nominal
Nominal Max. before Clip
ST OUT [L, R] 150 Ω 10 kΩ Lines +4 dBu (1.23 V) +24 dBu (12.3 V) Phone Jack (TRS)
*6
AUX SEND 150 Ω 10 kΩ Lines +4 dBu (1.23 V) +20 dBu (7.75 V) Phone Jack (TRS)
*6
CH INSERT OUT (1 – 2) 150 Ω 10 kΩ Lines 0 dBu (0.775 V) +20 dBu (7.75 V) Phone Jack (TRS)
*3
2TR OUT [L, R] 600 Ω 10 kΩ Lines -10 dBV (316 mV) +10 dBV (3.16 V) RCA Pin Jack
C-R OUT [L, R] 150 Ω 10 kΩ Lines +4 dBu (1.23 V) +20 dBu (7.75 V) Phone Jack (TRS)
*5
PHONES OUT 100 Ω 40 Ω Phones 3 mW 75 mW Stereo Phones Jack
Connection
Gain Actual Load For Use With
Input Level
*1
Connector In Mixer
Trim Impedance Nominal
Nominal Max. before Clip
CH IN MIC (1 – 2)
-60
3 kΩ 50 – 600 Ω Mics
-60 dBu (0.775 mV) -40 dBu (7.75 mV)
XLR-3-31 type
*2
-16 -16 dBu (123 mV) +4 dBu (1.23 V)
CH IN LINE (1 – 2)
-34
10 kΩ 600 Ω Lines
-34 dBu (15.5 mV) -14 dBu (155 mV)
Phone Jack (TRS)
*3
10 +10 dBu (2.45 V) +30 dBu (24.5 V)
ST CH MIC IN
-60
3 kΩ 50 – 600 Ω Mics
-60 dBu (0.775 mV) -40 dBu (7.75 mV)
XLR-3-31 type
*2
(CH 3 – 4, 5 – 6)
-16 -16 dBu (123 mV) -10 dBu (245 mV)
ST CH LINE IN
-34
10 kΩ 600 Ω Lines
-34 dBu (15.5 mV) -14 dBu (155 mV)
Phone Jack
*4
(CH 3 – 4, 5 – 6)
10 +10 dBu (2.45 V) +30 dBu (24.5 V)
ST CH INPUT
10 kΩ 600 Ω Lines
-10 dBu (245 mV) +10 dBu (2.45 V)
Phone Jack
*4
(CH 7 – 8, 9 – 10)
RCA Pin Jack
CH INSERT IN (1 – 2) 10 kΩ 600 Ω Lines 0 dBu (0.775 V) +20 dBu (7.75 V) Phone Jack (TRS)
*5
AUX RETURN [L, R] 10 kΩ 600 Ω Lines +4 dBu (1.23 V) +24 dBu (12.3 V) Phone Jack
*4
2TR IN [L, R] 10 kΩ 600 Ω Lines -10 dBV (316 mV) +10 dBV (3.16 V) RCA Pin Jack
MG10/2 OUTPUT CHARACTERISTICS
MG Series Specifications
MG10/2 INPUT CHARACTERISTICS
Connection
Actual Source For Use With
Output Level
*1
Connector In Mixer
Impedance Nominal
Nominal Max. before Clip
ST OUT [L, R] 150 Ω 600 Ω Lines +4 dBu (1.23 V) +24 dBu (12.3 V)
XLR-3-32 type
*2
Phone Jack (TRS)
*4
GROUP OUT (1 – 2) 150 Ω 10 kΩ Lines +4 dBu (1.23 V) +20 dBu (7.75 V) Phone Jack (TRS)
*6
CH INSERT OUT
*7
150 Ω 10 kΩ Lines 0 dBu (0.775 V) +20 dBu (7.75 V) Phone Jack (TRS)
*5
REC OUT [L, R] 600 Ω 10 kΩ Lines -10 dBV (245 mV) +10 dBV (2.45 V) RCA Pin Jack
C-R OUT [L, R] 150 Ω 10 kΩ Lines +4 dBu (1.23 V) +20 dBu (7.75 V) Phone Jack (TRS)
*6
PHONES OUT 100 Ω 40 Ω Phones 3 mW 75 mW Stereo Phones Jack
Connection
Gain Actual Load For Use With
Input Level
*1
Connector In Mixer
Trim Impedance Nominal
Nominal Max. before Clip
CH IN MIC
*7
-60
3 kΩ 50 – 600 Ω Mics
-60 dBu (0.775 mV) -40 dBu (7.75 mV)
XLR-3-31 type
*2
-16 -16 dBu (123 mV) +4 dBu (1.23 V)
CH IN LINE
*7
-34
10 kΩ 600 Ω Lines
-34 dBu (15.5 mV) -14 dBu (155 mV)
Phone Jack (TRS)
*3
10 +10 dBu (2.45 V) +30 dBu (24.5 V)
ST CH MIC IN
*8
-60
3 kΩ 50 – 600 Ω Mics
-60 dBu (0.775 mV) -40 dBu (7.75 mV)
XLR-3-31 type
*2
-16 -16 dBu (123 mV) -10 dBu (245 mV)
ST CH LINE IN
*8
-34
10 kΩ 600 Ω Lines
-34 dBu (15.5 mV) -14 dBu (155 mV)
Phone Jack
*4
10 +10 dBu (2.45 V) +30 dBu (24.5 V)
ST CH INPUT
*9
10 kΩ 600 Ω Lines
-10 dBu (245 mV) +10 dBu (2.45 V)
Phone Jack
*4
RCA Pin Jack
CH INSERT IN
*7
10 kΩ 600 Ω Lines 0 dBu (0.775 V) +20 dBu (7.75 V) Phone Jack (TRS)
*1
AUX RETURN [L, R] 10 kΩ 600 Ω Lines +4 dBu (1.23 V) +24 dBu (12.3 V) Phone Jack
*3
2TR IN [L, R] 10 kΩ 600 Ω Lines -10 dBV (316 mV) +10 dBV (3.16 V) RCA Pin Jack
MG12/4, MG16/4 OUTPUT CHARACTERISTICS
MG12/4, MG16/4 INPUT CHARACTERISTICS
Connection
Actual Source For Use With
Output Level
*1
Connector In Mixer
Impedance Nominal
Nominal Max. before Clip
ST OUT [L, R] 150 Ω 600 Ω Lines +4 dBu (1.23 V) +24 dBu (12.3 V)
XLR-3-32 type
*2
Phone Jack (TRS)
*4
GROUP OUT (1 – 4)
AUX SEND (1, 2) 150 Ω 10 kΩ Lines +4 dBu (1.23 V) +20 dBu (7.75 V) Phone Jack (TRS)
*6
EFFECT SEND
CH INSERT OUT (CH1 – 8) 150 Ω 10 kΩ Lines 0 dBu (0.775 V) +20 dBu (7.75 V) Phone Jack (TRS)
*5
REC OUT [L, R] 600 Ω 10 kΩ Lines -10 dBV (316 mV) +10 dBV (3.16 V) RCA Pin Jack
C-R OUT [L, R] 150 Ω 10 kΩ Lines +4 dBu (1.23 V) +20 dBu (7.75 V) Phone Jack (TRS)
*6
PHONES OUT 100 Ω 40 Ω Phones 3 mW 75 mW Stereo Phones Jack
Connection
Gain Actual Load For Use With
Input Level
*1
Connector In Mixer
Trim Impedance Nominal
Nominal Max. before Clip
CH IN MIC (CH1 – 8)
-60
3 kΩ 50 – 600 Ω Mics
-60 dBu (0.775 mV) -40 dBu (7.75 mV)
XLR-3-31 type
*2
-16 -16 dBu (123 mV) +4 dBu (1.23 V)
CH IN LINE (CH1 – 8)
-34
10 kΩ 600 Ω Lines
-34 dBu (15.5 mV) -14 dBu (155 mV)
Phone Jack (TRS)
*6
10 +10 dBu (2.45 V) +30 dBu (24.5 V)
ST CH MIC IN
*7
-60
3 kΩ 50 – 600 Ω Mics
-60 dBu (0.775 mV) -40 dBu (7.75 mV)
XLR-3-31 type
*2
-16 -16 dBu (123 mV) -10 dBu (245 mV)
ST CH LINE IN
*7
-34
10 kΩ 600 Ω Lines
-34 dBu (15.5 mV) -14 dBu (155 mV)
Phone Jack
*4
10 +10 dBu (2.45 V) +30 dBu (24.5 V)
ST CH INPUT
*8
10 kΩ 600 Ω Lines
-10 dBu (245 mV) +10 dBu (2.45 V)
Phone Jack
*4
RCA Pin Jack
CH INSERT IN (1 – 8) 10 kΩ 600 Ω Lines 0 dBu (0.775 V) +20 dBu (7.75 V) Phone Jack (TRS)
*5
AUX RETURN [L, R] 10 kΩ 600 Ω Lines +4 dBu (1.23 V) +24 dBu (12.3 V) Phone Jack
*4
2TR IN [L, R] 10 kΩ 600 Ω Lines -10 dBV (316 mV) +10 dBV (3.16 V) RCA Pin Jack
MG16/6FX OUTPUT CHARACTERISTICS
MG16/6FX INPUT CHARACTERISTICS
Connection
Actual Source For Use With
Output Level
*1
Connector In Mixer
Impedance Nominal
Nominal Max. before Clip
ST OUT [L, R]
150 Ω 600 Ω Lines +4 dBu (1.23 V) +24 dBu (12.3 V) XLR-3-32 type
*2
MONO OUT
GROUP OUT (1 – 4)
150 Ω 600 Ω Lines +4 dBu (1.23 V) +20 dBu (7.75 V) Phone Jack (TRS)
*6
AUX OUT (1 – 6)
ST SUB OUT [L, R]
150 Ω 10 kΩ Lines +4 dBu (1.23 V) +20 dBu (7.75 V) Phone Jack (TRS)
*6
EFFECT OUT (1, 2)
CH INSERT OUT
*12
GROUP INSERT OUT (1 – 4) 150 Ω 10 kΩ Lines 0 dBu (0.775 V) +20 dBu (7.75 V) Phone Jack (TRS)
*5
ST INSERT OUT [L, R]
REC OUT [L, R] 600 Ω 10 kΩ Lines -10 dBV (316 mV) +10 dBV (3.16 V) RCA Pin Jack
PHONES OUT 100 Ω 40 Ω Phones 30 mW 75 mW Stereo Phone Jack
Connection
PAD
Gain Actual Load For Use With
Input Level
*1
Connector In Mixer
Trim Impedance Nominal
Nominal Max. before Clip
CH INPUT [A, B]
*7
0
-60
3 kΩ
-60 dBu (0.775 mV) -40 dBu (7.75 mV)
26 50 – 600 Ω Mics -34 dBu (15.5 mV) -14 dBu (155 mV) A: XLR-3-31 type
*10
0
-16
600 Ω Lines -16 dBu (123 mV) +4 dBu (1.23 V) B: Phone Jack (TRS)
*10
26 +10 dBu (2.45 V) +30 dBu (24.5 V)
ST CH INPUT
*8 *9
-34
10 kΩ 600 Ω Lines
-34 dBu (15.5 mV) -14 dBu (155 mV)
Phone Jack
*8 *9 *7
10 +10 dBu (2.45 V) +30 dBu (24.5 V) RCA Pin Jack
*9
CH INSERT IN
*7
10 kΩ 600 Ω Lines 0 dBu (0.775 V) +20 dBu (7.75 V)
Phone Jack (TRS)
*5
GROUP INSERT IN (1 – 4) 10 kΩ 600 Ω Lines 0 dBu (0.775 V) +20 dBu (7.75 V)
SUB IN (1, 2) [L, R] 10 kΩ 600 Ω Lines +4 dBu (1.23 V) +24 dBu (12.3 V) Phone Jack
*4
TB IN 10 kΩ 50 – 600 Ω Mics -50 dBu (2.45 mV) -30 dBu (24.5 mV) XLR-3-31 type
*11
2TR IN [L, R] 10 kΩ 600 Ω Lines -10 dBV (316 mV) +10 dBV (3.16 V) RCA Pin Jack
MG24/14FX, MG32/14FX OUTPUT CHARACTERISTICS
MG24/14FX, MG32/14FX INPUT CHARACTERISTICS
MG10/2 MG12/4 MG16/4 MG16/6FX
Total Harmonic Distortion
Less than 0.1 % (THD+N)
20 Hz – 20 kHz @ +14 dB 600 Ω (ST OUT)
*3
Frequency Response
0 +1, -3 dB
20 Hz – 20 kHz @ +4 dB 600 Ω (ST OUT)
Input Hum & Noise
*1
-128 dB
20 Hz – 20 kHz, Rs=150 Ω, Input Gain=Maximum, Input sensitivity=-60 dB
*3
Crosstalk -70 dB @ 1 kHz
Mic 4 (Ch 1 – 2, 3/4, 5/6: XLR) 6 (Ch 1 – 4, 5/6, 7/8: XLR) 10 (Ch 1 – 8, 9/10, 11, 12: XLR) 10 (Ch 1 – 8, 9/10, 11, 12: XLR)
Line 2 (Ch 1 – 2: TRS) 4 (Ch 1 – 4: TRS) 8 (Ch 1 – 8: TRS) 8 (Ch 1 – 8: TRS)
CH Input
Stereo
2 (Ch 3 – 4, 5 – 6: TRS) * Ch3, 5: L (MONO)
2 (Ch 5 – 6, 7 – 8: TRS) * Ch5, 7: L (MONO)
2 (Ch 9 – 10, 11 – 12: TRS) * Ch9, 11: L (MONO) 2 (Ch 9 – 10, 11 – 12: TRS) * Ch9, 11: L (MONO)
2 (Ch 7 – 8, 9 – 10: TRS/RCA) 2 (Ch 9 – 10, 11 – 12: TRS/RCA) 2 (Ch 9 – 10, 11 – 12: TRS/RCA) 2 (Ch 9 – 10, 11 – 12: TRS/RCA)
Insert I/O
2 (Ch 1 – 2: TRS = T: Out, R: In, S: Gnd) 4 (Ch 1 – 4: TRS = T: Out, R: In, S: Gnd) 8 (Ch 1 – 8: TRS = T: Out, R: In, S: Gnd) 8 (Ch 1 – 8: TRS = T: Out, R: In, S: Gnd)
AUX
Send
2 (1/Pre, 2/Post: TRS) 2 (1/Post-Pre selectable, 2/Post: TRS) 2 (1/Post-Pre selectable, 2/Post: TRS) 2 (1/Pre, 2/Post-Pre selectable: TRS)
Return 1 Stereo (L/MONO, R: TRS) 1 Stereo (L/MONO, R: TRS) 1 Stereo (L/MONO, R: TRS) 1 Stereo (L/MONO, R: TRS)
EFFECT Send — — — 1 (TRS)
2TR In 1 Stereo (L, R: RCA) 1 Stereo (L, R: RCA) 1 Stereo (L, R: RCA) 1 Stereo (L, R: RCA)
REC Out 1 Stereo (L, R: RCA) 1 Stereo (L, R: RCA) 1 Stereo (L, R: RCA) 1 Stereo (L, R: RCA)
ST Out 1 Stereo (L, R: TRS) 2 Stereo (L, R: 2 TRS & 2 XLR) 2 Stereo (L, R: 2 TRS & 2 XLR) 2 Stereo (L, R: 2 TRS & 2 XLR)
C/R Out 1 Stereo (L, R: TRS) 1 Stereo (L, R: TRS) 1 Stereo (L, R: TRS) 1 Stereo (L, R: TRS)
GROUP Out — 2 (1, 2: TRS) 2 (1, 2: TRS) 4 (1 – 4: TRS)
Phones 1 (TRS Stereo) 1 (TRS Stereo) 1 (TRS Stereo) 1 (TRS Stereo)
Phantom Power + 48 V + 48 V + 48 V + 48 V
CH & ST Ch Input Gain Control
44 dB valiable 44 dB valiable 44 dB valiable 44 dB valiable
CH & ST High Pass Filter 80 Hz 12 dB/Octave 80 Hz 12 dB/Octave 80 Hz 12 dB/Octave 80 Hz 12 dB/Octave
CH EQ (MONO)
*2
High 10 kHz (Shelving) 10 kHz (Shelving) 10 kHz (Shelving) 10 kHz (Shelving)
±15 dB (Max.)
Mid 2.5 kHz (Peaking) 2.5 kHz (Peaking) 2.5 kHz (Peaking) 0.25 – 5 kHz (Peaking)
Low 100 Hz (Shelving) 100 Hz (Shelving) 100 Hz (Shelving) 100 Hz (Shelving)
High 10 kHz (Shelving) 10 kHz (Shelving) 10 kHz (Shelving) 10 kHz (Shelving)
CH EQ (STEREO)
*2
Hi-Mid — — — 3 kHz (Peaking)
±15 dB (Max.)
Mid 2.5 kHz (Peaking) 2.5 kHz (Peaking) 2.5 kHz (Peaking) —
Low-Mid — — — 800 Hz (Peaking)
Low 100 Hz (Shelving) 100 Hz (Shelving) 100 Hz (Shelving) 100 Hz (Shelving)
7-band
Graphic Equalizer — — — (125, 250, 500, 1 k, 2 k, 4 k, 8 kHz)
±12 dB (Max.)
Internal Digital Effect — — — 16 Programs: Parameter Control
Height 65 mm 104 mm 104 mm 108 mm
Dimensions Depth 290 mm 417.5 mm 417.5 mm 416.6 mm
Width 251 mm 317.5 mm 423 mm 423 mm
Weight 1.8 kg 5.0 kg 5.2 kg 5.5 kg
U: 19 W 120 V/60 Hz U/C: 27 W 120 V/60 Hz U/C: 38 W 120 V/60 Hz U: 51 W 120 V/60 Hz
H: 19 W 230 V/50 Hz H: 27 W 230 V/50 Hz H: 38 W 230 V/50 Hz H: 51 W 230 V/50 Hz
Power Requirements
*4
B: 19 W 230 V/50 Hz B: 27 W 230 V/50 Hz B: 38 W 230 V/50 Hz B: 51 W 230 V/50 Hz
K: 19 W 220 V/50 Hz K: 27 W 220 V/60 Hz K: 38 W 220 V/60 Hz K: 51 W 220 V/60 Hz
A: 19 W 240 V/50 Hz A: 27 W 240 V/50 Hz A: 38 W 240 V/50 Hz A: 51 W 240 V/50 Hz
Other Mic Stand Mountable Rack Mountable Rack Mountable Rack Mountable
Option Mic Stand Adapter BMS-10A — — —
MG24/14FX MG32/14FX
Total Harmonic Distortion
Less than 0.1 % (THD+N)
20 Hz – 20 kHz @ +14 dB 600 Ω (ST OUT)
Frequency Response
0 +1, -3 dB
20 Hz – 20 kHz @ +4 dB 600 Ω (ST OUT)
Input Hum & Noise
*1
-128dB
20 Hz – 20 kHz, Rs=150 Ω, Input Gain=Maximum, Input Pad =OFF, Input sensitivity=-60 dB
Crosstalk -70dB @ 1kHz
Mic 16+1 (Input A 1 – 16, Talk Back: XLR) 24+1 (Input A 1 – 24, Talk Back: XLR)
Line 16 (Input B 1 – 16: TRS) 24 (Input B 1 – 24: TRS)
CH Input
Stereo
2 (Ch 17 – 18, 19 – 20:TRS) * Ch17, 19:L (MONO)
2 (Ch 25 – 26, 27 – 28:TRS) * Ch25, 27:L (MONO)
2 (Ch 21 – 22, 23 – 24: TRS/RCA) 2 (Ch 29 – 30, 31 – 32: TRS/RCA)
Insert I/O
16 (Ch 1 – 16: TRS T: Out, R: In, S: Gnd) 24 (Ch 1 – 24: TRS T: Out, R: In, S: Gnd)
AUX
Send 6 (1 – 2/Post-Pre selectable, 3 – 4/Post-Pre selectable, 5 – 6/Post: TRS)
Return 2 Stereo Sub In (L/MONO, R: TRS)
EFFECT Send 2 (1, 2: TRS)
2TR In 1 Stereo (L, R: RCA)
STEREO Insert 1 Stereo (L, R: TRS)
GROUP Insert 4 (1 – 4: TRS)
REC Out 1 Stereo (L, R: RCA)
ST Out 1 Stereo (L, R: XLR)
MONO Out 1 (XLR)
ST SUB Out 1 Stereo (L, R: TRS)
GROUP Out 4 (1 – 4: TRS)
Phones 1 (TRS Stereo)
Phantom Power + 48 V
CH & ST Ch Input Gain Control
44 dB valiable
CH & ST High Pass Filter 80 Hz 12 dB/Octave
CH EQ (MONO)
*2
High 10 kHz (Shelving)
±15 dB (Max.)
Mid 0.25-5 kHz (Peaking)
Low 100 Hz (Shelving)
High 10 kHz (Shelving)
CH EQ (STEREO)
*2
Hi-Mid 3 kHz (Peaking)
±15 dB (Max.) Low-Mid 800 Hz (Peaking)
Low 100 Hz (Shelving)
MONO Out Low Pass Filter 80 – 120 Hz 12dB/octave
Internal Digital Effect SPX x 2 (Effect 1: 16 Programs, Effect 2: 16 Programs :Parameter Control)
Height 140 mm 140 mm
Dimensions Depth 551 mm 551 mm
Width 819 mm 1027 mm
Weight 18.5 kg 22 kg
Power Requirements 100 W 100 V AC50/60 Hz 120 W 100 V AC50/60 Hz
*1 Hum & Noise are measured with a 6 dB/octave filter @ 12.7 kHz;equivalent to a 20 kHz filter with infinite dB/octave attenuation.
*2 Turn over /roll-off frequency of shelving : 3 dB below maximum variable level.
*1 In these specifications, when dB represents a specific voltage, 0 dB is referenced to 0.775 Vrms.
*2 XLR type connectors are balanced.
*3 CH INPUT Phone Jacks (TRS) are balanced. [T: HOT, R: COLD, S: GND]
*4 Phone Jacks are unbalanced.
*5 INSERT Phone Jacks (TRS) are unbalanced. [T: OUT, R: IN, S: GND]
*6 Phone Jacks (TRS) are impedance balanced. [T: HOT, R: COLD, S: GND]
*7 MG12/4: CH1 – CH4, MG16/4: CH1 – CH8, MG16/6FX: CH9 (L)/10 (R), CH11 (L)/12 (R),
MG24/14FX: CH1 – 16, MG32/14FX: CH1 – 24
*8 MG12/4: CH5 (L)/6 (R), CH7 (L)/8 (R), MG16/4: CH9 (L)/10 (R), CH11 (L)/12 (R), MG16/6FX:
CH13 (L)/14 (R), CH15 (L)/16 (R), MG24/14FX: CH17 (L)/18 (R), CH19 (L)/20 (R),
MG32/14FX: CH25 (L)/26 (R), CH27 (L)/28 (R)
*9 MG12/4: CH9 (L)/10 (R), CH11 (L)/12 (R), MG16/4: CH13 (L)/14 (R), CH15 (L)/16 (R),
MG24/14FX:
CH21 (L)/22 (R), CH23 (L)/24 (R), MG32/14FX: CH29 (L)/30 (R), CH31 (L)/32 (R)
*10
CH INPUT XLR type connectors and Phone Jacks (TRS) are balanced. [T: HOT, R: COLD, S: GND]
*11 TB IN XLR type connector is unbalanced.
*12 MG24/14FX: CH1 – 16, MG32/14FX: CH1 – 24
*1 Hum & Noise are measured with a 6 dB/octave filter @ 12.7 kHz;equivalent to a 20 kHz filter with infinite dB/octave attenuation.
*2 Turn over /roll-off frequency of shelving : 3 dB below maximum variable level.
*3 (CH,12): MG10/2, (CH1-4): MG12/4, (CH1-8): MG16/4, MG16/6FX.
*4 Power Supply Adaptor PA-10 (MG10/2), PA-20 (MG12/4,16/4), PA-30 (MG16/6FX).
In this simple recording system a
small MG mixer is used to combine
the outputs from a stereo keyboard, a
rhythm/backing unit, a guitar, and
vocal microphone. The results are
mixed to stereo and recorded to
cassette or MD.
Application Examples
1. Basic Mix & Recording
The current trend is toward
computer-based music production,
but you still need a good mixer to
combine your sources in order to feed
your computer’s audio interface, as
well as for monitoring.
2. Computer-based Music Production
A sound reinforcement system of about this scale is ideal for small clubs, churches, meeting rooms and similar venues.
3. A Small Sound Reinforcement System
Specifications and appearance subject to change without notice.
All trademarks and registered trademarks are property of their respective owners.
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